The nominations are open for the 2012 AGS Awards! Now is the time to head on over to this site, get a forum account, and start spamming every category with SQInc nominations (well, except maybe best demo, non-adventure, short game, and voice acting.) But you can totally nominate for best game, best gameplay, best music, best story, best writing, best character (you know you love Doomtron), and everything else.
Additionally, I’d also like to cross-promote Akril’s “Pledge Quest” games for nominations. These fall under the “short game” categories, but you can show some love for Vohaul Cat by adding her nominations to the list. And if you feel you should nominate other people’s games, I’m a rather big fan of “Ben Jordan” and “Donna: Avenger of Blood”. The 2011 “Space Quest 2 Remake” is also in there, and I’ve thrown a few nominations its way (they DID deliver on voice acting). But totally nominate my SQ stuff instead. That’s how this competition thing goes. There can be only one!
Now go! Nominate! Make me proud! You owe it to your country!
Time for some updates on that whole “Geeks vs. Nerds” thingy I’m doing.
So back in December, I decided to go nuts and tackle two debates at once for one show. This was a monstrous mistake as prepping for a debate about four characters ate up way too much of my time.
First up was “Mr. Freeze vs. Sub-Zero: Who’s the coolest, cold-blooded killer”. I was on Team Freeze and I’ll damned if we didn’t have one hell of a case. Mr. Freeze should have been an automatic win on the grounds that 1) He is freakin’ Tony Stark meets John Lennon as far as being cool goes. 2) he is literally cold-blooded, and 3) you know those people he freezes? They’re dead. Nobody who gets covered in ice gets preserved or we’d have woolly mammoths popping out of glaciers. Ever see the same Gothamite twice? No, because Freeze killed them. Let’s match that up against Sub-Zero. Sub-Zero is 1) not the coolest because he’s a terrible ninja. Can you see him? Yes? Then he’s a terrible ninja. 2) Not cold-blooded. He is warm-blooded and can actually freeze himself solid by accident. 3) Killer? No. Everyone he kills comes back for the sequel. Also, take note: Sub-Zero can only do two things: freeze and hit. He can’t freeze Mr. Freeze, and even Batman can’t punch through his tank armor (that only ever worked once). The only way Batman beats Freeze is with science, and he needs more and more science every time to do it. Sub-Zero doesn’t have science. Therefore, Sub-Zero cannot beat Freeze. Unless all the loudest people in the room are rooting for him no matter what.
Secondly for December was: “Jack Skellington vs. The Grinch: Who’s the greatest unintentional holiday savior?” I landed on Team Jack and we got wasted just because Team Grinch decided to do theirs in rhyme. We could have sang, but didn’t have time for rehearsal. In any case, we had to argue on who saved Christmas most by accident, so we busted out some long-term effects for Jack’s screw up. 1) He made Santa go public, reaffirming people’s belief in Santa and therefore Christmas. 2) Jack’s merchandise helps boost the economy every holiday, and our heavy-hitter 3) By scaring people into carrying weapons on Christmas, Jack has accidentally helped us prep for the onslaught of Santa-Bot in the year 3000, along with any other holiday threats, thus saving not only Christmas, but the world. Our arguments against Grinch? Well, in reality, Ron Howard’s movie alone ruins Christmas every year, but our arguments meant diddly-squat when the other team is rhyming.
My major mistake with the last two debates was over-preparation. Reason being that the audience absolutely, positively, did not care about any “expanded universe” BS. Nobody had ever seen “Grinch Night”, so my arguments about the Grinch developing chemical weapons were lost. And nobody reads comic books, so when I say that Freeze can bust out of prison with just his bare hands and a crayon, then once again, I might as well be writing fan-fiction.
Ultimately, this led me to an epiphany: nobody comes to these shows to see anyone win. So let’s screw with their heads.
So, tonight: “Yoda vs. Gandalf: Who’s the wisest mystical mentor?” I did almost no research in prepping for Team Yoda, yet in spite of our Superman win a couple months back, tonight’s loss was still one of our best debates. Quick: what’s Yoda’s greatest accomplishment? If you said getting a Wookie ride from Chewbacca, then you are right. If you said teaching Obi-Wan to set Hayden Christenson on fire, you are also right. If you said appearing on a napkin doing it doggy-style with Gandalf as part of our new “expanded universe”, then damn, you were probably sitting at our table. Our tomfoolery even made the host shoot himself with his own nerf gun (a first for the show).
Ultimately, we lost because most of the audience had watched “The Hobbit” in the last week and still remembered the Star Wars prequels, but I can honestly say, we generated some heavy-duty laughs tonight. On the way out, some guy even stopped to thank us for saving the show.
And all we had to do is make everyone crave Wookie rides.
I think I’ll take a break from this stuff for a while now. Granted, next month it’s an all-women show, so I’m out anyway. But at this point, it’s starting to feel like work and I think I’d spend my nights doing something else. Like making Vegeta dance Gangnam Style.
P.S: My knowledge of Mr. Freeze and Sub-Zero came in surprisingly useful the other night at Denny’s, when at three in the morning, six of us randomly realized that these two characters could safely play ice trombones without melting them. I don’t know how this qualifies at useful, but it sounded useful after a couple tequilas and a Grand Slam. Do with this information as you will.
P.S.S. Any other time, Yoda should have taken this. His wisdom even doubles as relationship advice when you add “in bed” to anything he says.
P.S.S.S. I do agree with Gandalf’s non-pedo stance on Hobbits. They’re like the towels of Middle-Earth. Never leave home without one. Just never leave home with Gandalf. There will be spiders.
Here we go again. Another year, another bunch of movies. Oddly enough, most of my favorite films this year all came out between now and the last batch of reviews. So I’ll just skip the regular reviews and jump straight into my year’s top favorites.
Honorable Nods: “Rise of the Guardians” (Russian Santa!), “Ted”, “21 Jump Street”, and “Boats vs. Aliens”
5. The Hobbit: An Unexpected Journey
I’m still miffed about one book becoming a trilogy, but I’ll let it slide for now. Part one of “The Hobbit”, in spite of the padding, was still thoroughly entertaining and had one amazing scene after another. The dwarf choreography alone looked amazing during the comedy and action sequences. “Hey! Let’s have thirteen dwarves and a wizard dangle from a swinging platform while battling goblins and still make it look logical!” I’m impressed that they even managed to work in a couple songs from the book without turning it into a musical. And the “Riddles in the Dark” segment boasts one of Andy Serkis’ best performances as Gollum. And did I mention Martin Freeman is an awesome Bilbo? Because he is.
What throws me for a loop is all the new content. Apparently they’re combining 3-4 books together to formulate a new side-story for the trilogy, but it does wreak havoc on my knowledge of the book itself. I spent forever wondering “aren’t they supposed to be at the trolls by now?” while some weird dude with a rabbit bob-sled played nurse-maid to some sick hedgehogs. Don’t get me wrong – I do enjoy those scenes, but they’re aren’t integrated seamlessly. You can see the stitches for whenever creative liberties are taken. But that criticism aside, “The Hobbit: An Unexpected Journey” is still a very enjoyable film, and the beards alone are worth the price of a ticket. This should have been a Movember release.
4. Resident Evil: Retribution
When asked which celebrity I most have a crush on, my top pick is always a tie between Mila Jovovich and Anne Hathaway. Then I decide that the tie can only be broken if both ladies come my place and wrestle in Jell-O for my affections. Then I put my money on Mila because she’s already survived five zombie movies without the help of Batman. Kicking Anne Hathaway’s ass would be a cake-walk for her. So Mila wins.
Of course, when Jell-O wrestling is a thing, everyone wins.
My celebrity crushes aside, god, I love this movie. I love how over-the-top and ridiculous these “Resident Evil” movies are getting. In the first movie, it was just a zombie outbreak that they were trying to contain. Now we have infected scientists unleashing giant nail-head hammer-monsters into simulations to study the commercial aspects of a super-virus that has already destroyed the planet. The scientists even dressed up their zombies as Russian communists! Russian communist zombies! Also, Mila Jovovich surfs a car down an escalator! And Michelle Rodriguez is alive again and again! And why would scientists be trying to sell a virus when they’d make a lot more money selling Mila Jovovich clones? I’d buy one! Hell, I’d buy six! Umbrella Corporation is marketing to the wrong target audience! This movie doesn’t make sense, yet I want a sequel! Right now!
3. Wreck-It Ralph
So, fun fact: this movie does not feature Sonic the Hedgehog as a main character, nor is he in the film for more than ten seconds. Another fun fact: over half the film takes place in a candy video game, with little to no game-jumping happening. Accept that Disney’s marketing team has exaggerated the truth like crazy just to get the film this far, and you otherwise have the best video game movie since “Scott Pilgrim”.
For what it is, “Ralph” is just great to watch. The variety of characters, cameos, and set designs look amazing, and story’s just what you expect: fun, clever, and family-friendly. The cameos and in-jokes work well too, and I would’ve liked to see more. In fact, my biggest criticism is that the core cast of characters is too minimal. I see the potential here for a “Toy Story”-sized supporting cast where Zangief and Q*bert should be right there in Sugar Rush helping Ralph and his friends. But alas, cameos will have to do for now. At least we finally have a Disney movie where Pac-Man can be seen chomping down a line of martinis.
2. The Avengers’ Cabin in the Woods
The short version: it’s been a good year for Joss Whedon fans.
The longer version: I happen to like both of these movies for the same reasons. They take well-known subject matter and flip it on its side. They show us a new take on something we’ve been watching for years. “Cabin in the Woods” is basically “Evil Dead” meets “The Truman Show” as it reveals the truth behind every horror movie ever made. Then “Avengers” comes along and actually makes a comic book movie that completely lives up to comic book standards (how have other film-makers been failing this?) Best of all, both movies feature climatic battle sequences that combine so many different elements together in the most fist-pumping ways possible. “Cabin in the Woods” was basically the dark precursor to “The Avengers” as far as experiments in kick-assery go.
I’m so glad I caught this over the holidays. Laika (aka “like Pixar, but with Stop-Motion”) has had a great streak with their films. I liked “Corpse Bride” and loved “Coraline”, but I feel this one is their best effort. A young boy who can speak to the dead has to save the town after a witch’s curse raises the dead. Sounds like a fun Halloween flick, but what sold me on the film was everything else. It’s just a damn good movie. Okay, the animation – this stuff is all stop-motion and yet it looks on-par with most CG efforts. Even the character design looks great. Just check out the enormous ass on Norman’s sister – that is an epic ass. They’ve created a Reverse-Jessica Rabbit. The performances are great. Each character is a delight to watch for their own personality and quirks. This is that expanded supporting cast I was talking about for “Wreck-It Ralph”. “ParaNorman” got it right.
And on the whole, I really love what they did with the story. They take some chances, they play with the genre, and they add some unique twists to it. Do they defeat the witch? Does Norman stand up to the bully? Does the boy get the girl? The story is good at pulling surprises. The movie can be very funny when it wants to be, but it can also be deep and sincere when it needs to. On the whole, if you were to take the best of “The Sixth Sense” and cook it up with the best of “The Goonies”, “Evil Dead”, and “Casper”, you’d probably discover a recipe for “ParaNorman”.
Woke up this morning. Couldn’t get out of bed. Only thing I could reach was a PS3 controller. Only thing in the PS3 was my Genesis collection. Decided to try beating the original “Sonic the Hedgehog” from 1990. I remembered why I don’t have fond childhood memories of this game.
If you run really fast, there will be spikes.
If you go around a loop-de-loop, there will be spikes.
If you bounce off a spring, there will be spikes.
If you hop down a ledge, there will be spikes.
If you hop up a ledge, there will be spikes.
If you try to jump on an enemy, there will be spikes.
If you’re waiting for an air bubble, there will be spikes.
If you try to jump on spikes, there will be lava.
To sum up, the whole game is booby-trapped and the only way to win is to go as slowly as possible. If you’ve ever seen one of those Mario mods where you can’t jump across a pit without hitting an invisible box, then you get the idea. The programmers were basically having too much fun watching the beta-testers scramble for rings.
“Hey, I’ve got an idea: how about we fill a pit with exploding robots, and then put fans on both sides that turn on at random and push Sonic INTO the pit? Also, the beta-testers really hated searching for air bubbles in the Labyrinth Zone. Wouldn’t it be funny if they got near the end of the game and suddenly had to play the Labyrinth Zone AGAIN?” “Ha! Do it!”
After months of addressing stage fright through karaoke, I put my mettle to the test by participating in a live “Geeks vs. Nerds” debate at Yuk-Yuk’s Comedy Club tonight. “Geeks vs. Nerds” is a comedy debate show where two teams of three argue over which fictional character is better. My roommate hosts it, so that’s sort of how I got involved. Tonight’s show featured the match-ups “Tintin vs. Indiana Jones” and “Superman vs. Goku”. I wound up on Team Superman.
I seriously had no idea that Superman costume of mine would get so much mileage this year.
The first debate between Indy and Tintin went hilariously wrong as Team Tintin berated Indy’s “let’s use child labor and get Hitler’s autograph” policy, while Team Indy printed out some portrait-sized images of Tintin punching black people in the Congo. In the end, Tintin won the “Best Globe-Trotter” award on the grounds that by calling dibs on the moon, he’d effectively trotted more globes than Indy.
Our following debate was a bit more dramatic. The audience was clearly pro-Goku when we started, but as time went on, we think we pulled a “Rocky IV” with the crowd. By the end, it was a close call, but Team Superman pulled through.
My friend Zach had the best one-liner of the night with his “Goku is the #1 cause of world hunger” jab. As the debate was in regards to who was better suited for protecting Earth, it was in our favor that Goku was a walking natural disaster who allowed three planets to be destroyed under his watch. The other team pulled out some great jabs too, and even produced a skit depicting the climactic battle. Our version of the battle ended in Superman using rainbow-colored kryptonite to turn gay just so he could memory-erase Goku with a kiss.
All in all, it was a great night. Plus we followed it up with drinks at the EXP Bar (this fancy new video game bar in the city where I’m now apparently known as ‘Commander Shepard’ just because the waiter encourages nicknames at the table to make separating bills easier.)
Not sure what else to write. That’s what I did today.
Here’s an inspirational picture I’d been looking at to pump myself up for the debate.
The topic of “Buffy the Vampire Slayer” been coming up a lot lately (more than usual, anyway). Earlier this month, I attended a “Geek vs. Nerds” show where Buffy took on Blade (and through some unforeseen happenstance, there were somehow more shirtless Ryan Reynolds fans in the audience.) And the month before, a Joss Whedon night was held at a local club where I cosplayed as Seth Green’s Oz character from the season 3 Halloween episode (because this was the quickest costume I could put together on short notice.) And before that, we had “Avengers” and “Cabin in the Woods” – it’s been a good year for Buffy fans.
Personally, I’ve seen the whole series a half dozen times over already. It really is one of my favorite shows because of how often it tries something out-of-left-field or break its own rules (i.e. Buffy switches from stakes to rocket launchers in one episode.) But in recent years, whenever I re-watch it, I tend to get more selective with the episodes, and I find a lot of my favorites are always the stand-alone shows. Stand-alone episodes are usually the short stories that have little to do with the season’s story arc. They’re entertaining enough without requiring a “Previously on Buffy” refresher course. So for the purposes of this list, I won’t be mentioning any season finales, two-parters, or any episode where a key character dies. I’m just going to highlight the fun episodes.
And why twelve? Because it came up to twelve when I was finished.
1. The Pack (Season 1)
When the show first started, it was straight-up high school horror corniness. This episode was no exception, but to a different extreme. Before, the key villains were vampires and witches. This one decided to go off on a tangent by having a group of students get possessed by wild hyena gods, which the writers had too much fun with. They were cruel, sadistic, creepy, and otherwise completely indistinguishable from any other gang of hooligan teenagers.
2. The Puppet Show (Season 1)
Hey, creepy ventriloquist dummy episode! We can all guess where this is going! Or can we? I think this was the first episode to introduce a mind-blowing twist which forced the audience to start second-guessing every episode from there on in. It also features a very awkward post-credit scene where Buffy and her friends massacre a scene from “Oedipus Rex”.
3. School Hard (Season 2)
Prophecies and rituals come to an end in this episode where the character of Spike is introduced. Back in this season, Spike was pretty much The Joker – chaotic and reckless. So the premise here is that he wages a vampire siege against the school on Parent/Teacher night, resulting in Buffy needing to go all “Die Hard” on their asses and doing very little to hide her secret identity. It’s a pretty sweet episode.
4. Ted (Season 2)
Personally, this is one of my top favorites. It’s the Buffy version of “One Froggy Evening”. John Ritter guest stars as Buffy’s new potential step-dad. He bakes cookies, takes everyone out for mini-golf, dispenses fatherly advice, and is overall the nicest guy you’d ever meet. But when he’s alone with Buffy? COMPLETE PSYCHOPATH. None of Buffy’s friends believe her, so the stakes are raised as she gets pushed to the point of murder trying to prove that this guy is evil. It gets quite serious and over-the-top at times, but I love it. A later episode in season four “Living Conditions” mimics the same situation where Buffy is convinced her new roommate is evil and everybody is trying to stop her from killing her roommate.
5. The Zeppo (Season 3)
How about an episode where Buffy and her friends battle the greatest, most horrible evil they will EVER meet on this show? And then how about make it so they exclude one friend (Xander) from joining in the battle because he’s the most likely to get killed? And how about the whole episode follows all the madness that befalls Xander on that fateful night? It’s a wonderfully crazy episode with many jabs at the show’s own formula. I’d almost compare this episode to “South Park” where you can tell the writers are being given free reign to vent their frustrations over the usual cliches.
6. Earshot (Season 3)
I might be biased here, because I love any episode of anything where the main character can suddenly read minds. It’s a great tool for comedy as you suddenly get an insight in everybody’s thought processes (and discover that some characters have no thought processes at all). This one quickly takes some dark turns, though, as Buffy finds herself trying to track down a student whom she “overheard” planning a mass murder. From there, it actually touches down on some real life issues on events that hadn’t yet become a reality on the news, but it’s all handled very well. And the ultimate pay-off for solving the mystery is one of the most fantastically stupid moments in the show.
7. Pangs (Season 4)
Buffy and the gang battling Indian vengeance spirits on Thanksgiving while trying to be politically correct about it. Political correctness fails many times in this episode.
Special Video Highlight:
8. Hush (Season 4)
A spell falls over the town depriving everyone of their voices. What follows is a scary-as-hell episode where freaky monsters attack the town and no one can scream or call for help. This is one of those “top of every list” episodes because of how damn good it is. Even better is watching all the truths and misunderstandings that come out when people can no longer use their words to lie or defend themselves. A perfect horror-comedy.
9. Restless (Season 4)
Here’s an episode that’s confusing no matter whether you’re a fan or new to the show. Four of the characters experience four separate dreams and what follows is a very nonsensical, “Twins Peaks” style episode with no coherent narrative. They just wander from one pointless scenario to another, acting very out-of-character and doing random stuff. There is a story hidden in the subtext, but it’s otherwise a very accurate depiction of a dream-like state. Plus it has the cheese man. Who doesn’t love the cheese man?
10. Once More, With Feeling (Season 6)
I’m reaching by calling this a stand-alone episode since it relies on past episodes for its main story to work. But the real charm is the whole musical angle where the town becomes cursed and people randomly break out into song. Fans of “Dr. Horrible” can see Joss Whedon’s songwriting roots here as nearly every song is both catchy and clever as hell. Even the lyrics drift from beautifully poetic to absurd non-sequiters (most notably one lyric: “I think this line’s mostly filler” when a random character has nothing to add to the song.) After seeing this one for the first time, I found myself humming a lot of the tunes throughout the next several weeks.
11. Normal Again (Season 6)
This is one of those episodes that asks a very simple question: what if Buffy is a nutcase in an asylum, and this whole show is her delusional fantasy? As the episode cuts between worlds, Buffy is pushed into almost doing unspeakable things as she chooses between realities. Also, without giving too much away, it’s pretty rare to see Buffy as the villain.
12. Conversations with Dead People (Season 7)
I’m also stretching with this as a stand-alone episode because it relies VERY heavily on past episodes for the story to work. But the reason I put it on this list is because it’s the first episode I ever saw – and it hooked me instantly. So it must be doing something right if I can enjoy it without understanding it. Four characters all have different supernatural encounters on one night. In one situation, Buffy’s making small talk with an old friend-turned-vampire whom she has to kill later, meanwhile, her sister is battling a genuinely dangerous poltergeist in the house. And meanwhile from there, two other characters are having very serious conversations with long-dead friends. None of these stories ever intersect. There’s a lot of strong comedy and drama in here, but the overall flow of the episode is tied together very well, along with the accompanying music. I’d almost call this Tarantino-esque if it were a little more off-kilter. While I can’t recommend it to all new-comers, it’s a very experimental episode and a very personal favorite of mine.
The Frankenstein films have always been an overlooked part of my childhood. I’d remember catching glimpses of them on television or snippets in other media, but until recently, it hadn’t occurred to me to actually watch any of them. For its time, Universal pictures put out monster movies at the same alarming rate we see superhero movies now. And much like today, they even got into the trend of performing cross-overs in their “monster rally” films (just the like “The Avengers”, but with more strangling). So for October, I’ve chosen to review ye olde Frankenstein movies. There have been dozens of them, so I’ll only cover the more well-known ones from Universal Pictures.
This is the one we’re familiar with to some extent. Black and white, Igor, lightning, castle, villagers with torches + Boris Karloff = “It’s alive!” Almost every part of this movie is scattered throughout pop culture, and if you’ve ever seen Mel Brooks’ “Young Frankenstein”, it’s really not too different (just replace all the comedy with strangling.) As far as the films go, it’s really the most “essential” of the bunch and you can easily ignore its sequels if you’re refreshing yourself on classic movies. Although the sequel did hold some surprises.
Bride of Frankenstein (1935)
At this point, I was ready to accept that the rest of the films were going to be bad knock-offs from this point on, but “Bride of Frankenstein” is one of those rare “better than the original” sequels. Naturally, the monster survives the first movie, so the second one sees him going on a soul-searching journey as he tries to figure out where he belongs in this world. I rather like this one because it reveals the monster as human, and that we ourselves create the monster by treating him like one. You can only push a nice guy so far before he starts strangling again. This movie also shares a lot of common elements with the original novel, so it’s a good supplement to the first film.
Son of Frankenstein (1939)
This is a good time to bring up the monster’s name since this is the first film that acknowledges it: the monster’s name IS Frankenstein. We’ve all heard ourselves correct each other that Frankenstein is the doctor’s name, but guess what? The doctor’s name is also VICTOR. Frankenstein is a surname he got from his father, and the villagers in this third movie make the same association with the monster. So as of the third movie, the monster is technically Frankenstein. As far as the movie goes, somehow Victor’s son shows up and decided to carry on his father’s work and bring it back to life. Meanwhile, Igor starts being an evil mastermind. We don’t even see the monster until the end – and then it falls into molten sulfur. But he’ll be back.
The Ghost of Frankenstein (1942)
This one was kind of amusing. The villagers get fed up with this crap and actually blow up the castle. But then Frankenstein crawls out of the dried-up sulfur pit, joins Igor and they go pester another town instead. Once again, Franky’s treated like crap and starts strangling again. Meanwhile, Igor finds Victor’s relative Ludwig and convinces him to swap out the monster’s brain with someone else’s (there’s a lot of brain surgeons in this family.) Long story short: torches and pitchforks.
Frankenstein meets the Wolf Man (1943)
That last one ended all continuity with the films. Here, the monster rallies began, and what a disappointment they were. If I were a kid in the forties, I’d be psyched to see Frankenstein battle the Wolf Man. And yet these two titans never meet until the very last minute of the movie – and then they both die. The rest was all villagers with pitchforks complaining about how mad scientists (or men with werewolf curses) shouldn’t bring back the dead.
House of Frankenstein (1944)
“So here’s my pitch: Frankenstein, Dracula, AND the Wolf Man – all in the same movie! People are going to love it! But then we throw in a twist: none of these monsters ever meet or fight each other! We kill off Dracula halfway through the film, kill off the Wolf Man before Frankenstein wakes up, and then kill off Frankenstein! And none of it happens in Frankenstein’s house! Frankenstein doesn’t even have a house!”
Abbott and Costello meet Frankenstein (1948)
Not gonna lie: turns out this is the best movie of the bunch. This continues the trend of the monster rallies where Frankenstein, Dracula, and Wolf Man come together, but unlike the last two films, people actually got their money’s worth with this one. Abbott and Costello play two baggage-clerks who find out that Dracula is smuggling a monster into the country and the Wolf Man is trying to stop him. The rest is pretty much the precursor to “Scooby Doo”. Monsters come, we scream, Abbott and Costello run, we laugh. And I repeat that: they run. In all these Frankenstein movies, nobody has ever run from the monster. He just slowly shambles up to people and starts strangling them. So in a franchise about brain surgery, the most intelligent people thus far have been these two guys. I’d even say this movie inspired “Van Helsing” since this is the first instance of Frankenstein working for Dracula and the Wolf Man being Dracula’s enemy. The monsters actually get into some decent fights this time around. Overall, I think it’s a great monster-comedy with a lot of good laughs.
Let’s end this off with the trailer for the film which stars “a couple of luscious females” (1940′s sexism never fails to amuse me.)
So my friend Amy writes me up and not only tells me she has the best idea for a music video ever, but that I’m the only person who can make it happen. And then it turns out she does have the best idea ever. Half an hour later, this exists.